The meanings of the road in the films inspired by Ion Creangă’s stories

Q4 Arts and Humanities

Arta Pub Date : 2023-12-01 DOI:10.52603/arta.2023.32-2.13

Violeta Tipa

{"title":"The meanings of the road in the films inspired by Ion Creangă’s stories","authors":"Violeta Tipa","doi":"10.52603/arta.2023.32-2.13","DOIUrl":null,"url":null,"abstract":"The article highlights the paradigm of the road, starting with biblical stories, myths and folk stories up to the image of the road presented in the youngest art - cinematography - where it is involved both functionally and symbolically-metaphorically. The road becomes a fundamental element, especially in the road movie genre, which obviously broadens its boundaries, discussing the most current issues. The emphasis will be on the meanings of the road in a special genre, the films-tales, and in particular, those inspired by Ion Creangă’s works. Arming ourselves with the theories of Vladimir Propp and those of Joseph Campbell, we will go through the interpretations of Crengian fairy tales in the films: De-aşi fi…Harap Alb/If I were Harap Alb (1965), Povestea dragostei/Love story (1976), Maria Mirabela (1981) - all directed Ion Popescu Gopo, Se caută un paznic/ Looking for a guard (1965) by Gheorghe Vodă and Dănilă Prepeleac (1996) by Tudor Tătaru. The road in the mentioned films is one of the basic elements: from the road of knowledge of the world and the internal road to oneself, to becoming a personality, as well as other meanings that we will detect in the analysis process.","PeriodicalId":55785,"journal":{"name":"Arta","volume":"77 3","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2023-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Arta","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.52603/arta.2023.32-2.13","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"Arts and Humanities","Score":null,"Total":0}

引用次数: 0

Abstract

The article highlights the paradigm of the road, starting with biblical stories, myths and folk stories up to the image of the road presented in the youngest art - cinematography - where it is involved both functionally and symbolically-metaphorically. The road becomes a fundamental element, especially in the road movie genre, which obviously broadens its boundaries, discussing the most current issues. The emphasis will be on the meanings of the road in a special genre, the films-tales, and in particular, those inspired by Ion Creangă’s works. Arming ourselves with the theories of Vladimir Propp and those of Joseph Campbell, we will go through the interpretations of Crengian fairy tales in the films: De-aşi fi…Harap Alb/If I were Harap Alb (1965), Povestea dragostei/Love story (1976), Maria Mirabela (1981) - all directed Ion Popescu Gopo, Se caută un paznic/ Looking for a guard (1965) by Gheorghe Vodă and Dănilă Prepeleac (1996) by Tudor Tătaru. The road in the mentioned films is one of the basic elements: from the road of knowledge of the world and the internal road to oneself, to becoming a personality, as well as other meanings that we will detect in the analysis process.

查看原文本刊更多论文

受 Ion Creangă 故事启发的电影中道路的含义

文章强调了 "路 "的范式，从圣经故事、神话和民间故事开始，一直到最年轻的艺术--电影--中呈现的 "路 "的形象，"路 "在其中既有功能上的参与，也有象征--隐喻上的参与。道路已成为一个基本要素，尤其是在公路电影类型中，它显然拓宽了自己的边界，讨论了最前沿的问题。重点将放在公路在电影-故事这一特殊类型中的意义上，尤其是那些受 Ion Creangă 作品启发的电影。我们将以弗拉基米尔-普罗普（Vladimir Propp）和约瑟夫-坎贝尔（Joseph Campbell）的理论为武器，探讨电影中对克伦格童话的诠释：De-aşi fi...Harap Alb/If I were Harap Alb》（1965 年）、《Povestea dragostei/爱情故事》（1976 年）、《Maria Mirabela》（1981 年）（均由 Ion Popescu Gopo 执导）、Gheorghe Vodă 的《Se caută un paznic/ Looking for a guard》（1965 年）和 Tudor Tătaru 的《Dănilă Prepeleac》（1996 年）。上述影片中的道路是基本要素之一：从认识世界的道路和通往自我的内部道路，到成为一个人，以及我们在分析过程中将发现的其他含义。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

求助全文

约1分钟内获得全文求助全文

来源期刊

Arta Arts and Humanities-Visual Arts and Performing Arts

自引率

0.00%

发文量

审稿时长

32 weeks