Universal Cities. A Comparison between What Have I Done to Deserve This? (1984) by Pedro Almodóvar and Parasite (2019) by Bong Joon-Ho

Alexandra Goitia Goitia
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Abstract

From power dynamics to urban stratification, Pedro Almodóvar’s What Have I Done to Deserve This? (1984) and Bong Joon-ho’s Parasite (2019) dialogue in the same language: the universality of their cities. Even though the films are located in a specific space and time (Madrid in the 1980s and Seoul in the 2010s), their messages and criticisms are one and ecumenical: what happens in Spain and South Korea can happen anywhere else in the world. Thus, despite the different countries, languages, and times in which they were filmed, the present paper will delve into the analysis and comparison between ¿Qué he hecho yo para merecer esto! and Gisaengchung, covering topics such as US acculturation, social immobility, and urban landscapes and their impact on social classes.
世界城市。佩德罗-阿尔莫多瓦的《我做了什么活该?(佩德罗-阿尔莫多瓦(Pedro Almodóvar)(1984 年)与奉俊昊(Bong Joon-Ho )(2019 年)《寄生兽》(Parasite)的比较
从权力动态到城市分层,佩德罗-阿尔莫多瓦(Pedro Almodóvar)的《我做了什么活该?(1984)和奉俊昊的《寄生兽》(2019)用同一种语言进行对话:城市的普遍性。尽管这两部电影都位于特定的时空(20 世纪 80 年代的马德里和 2010 年代的首尔),但它们所传达的信息和批评却是一致和普世的:发生在西班牙和韩国的事情也可能发生在世界其他任何地方。因此,尽管拍摄的国家、语言和时间不同,本文将深入分析和比较《¿Qué hecho yo para merecer esto!》和《Gisaengchung》,涉及美国文化适应、社会流动性、城市景观及其对社会阶层的影响等主题。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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