Poet-Prophet: Stages of Identity Creation in "Cortège"by Guillaume Apollinaire

Cristina Robu
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Abstract

The theme of prophecy and the rapprochement between the poet and the prophet are present in a large number of texts by Guillaume Apollinaire. We analyze here the poem “Cortège”, immersion in a long fragmented walk which stages the physical and identity construction of the lyrical character through the others, while multiplying the references to the Christic journey. It is here the physical, material encounter with the other that serves to validate the poet's own existence and his creation by attributing demiurgic powers to him. These materialize in the creative act and the author becomes a prophet through his art, accomplishing the transposition, in the form of a poem, of the world he perceives through his five senses. To discover this perception of creation which passes through the construction of oneself and the discovery of the world, we wish to analyze in this article the stages of the creation of the identity of the "I" / "You" / "Guillaume" in the poem "Cortège" and demonstrate that this creation can be seen as the mimesis of the initiatory and prophetic journey.
诗人-先知:纪尧姆-阿波利奈尔《Cortège》中的身份创造阶段
纪尧姆-阿波利奈尔(Guillaume Apollinaire)的大量作品中都有预言主题以及诗人与先知之间的和解。我们在此分析诗歌 "Cortège",这首诗沉浸在漫长的片段式行走中,通过他人的身体和身份建构抒情人物,同时多重提及基督之旅。在这里,诗人与他人的身体和物质相遇,通过赋予诗人神力来证实诗人自身的存在及其创作。这些力量在创作行为中具体化,作者通过艺术成为先知,以诗歌的形式完成了他通过五官感知的世界的转换。为了探索这种通过构建自我和发现世界的创作感知,我们希望在本文中分析《科尔特日》一诗中 "我"/"你"/"纪尧姆 "身份的创作阶段,并证明这种创作可以被视为对启蒙和预言之旅的模仿。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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