ADAPTATION OF TRIBAL ART OF CENTRAL WESTERN INDIA FOR DEVELOPMENT OF TEXTILE PRODUCT USING DIGITAL DESIGN SOFTWARE

Anshu Singh Choudhary, Deepti Pargai
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Abstract

The tribal art of Central Western India including the Warli, Gond, Bhil, Pithora, Mandana, and others boasts a rich heritage of vibrant colors, intricate patterns, and traditional motifs, reflecting the unique cultural and artistic diversity of the region. This research explores the fusion of tradition and modernity by adapting tribal art into textile design using digital design software to enhance the efficiency and accuracy of textile design. The study also aims to highlight the potential for sustainable development and economic empowerment of tribal communities while preserving and promoting their indigenous art forms. By bridging the gap between tradition and modernity, this research demonstrates the feasibility of adapting tribal art for textile products using digital tools, leading to innovative and marketable designs by preserving the art forms and improving the overall well-being of tribal communities.
利用数字设计软件改编印度中西部部落艺术以开发纺织产品
印度中西部的部落艺术,包括瓦利(Warli)、贡德(Gond)、比尔(Bhil)、皮索拉(Pithora)、曼达纳(Mandana)等,拥有丰富的色彩、复杂的图案和传统纹样,反映了该地区独特的文化和艺术多样性。本研究利用数字设计软件将部落艺术融入纺织品设计中,以提高纺织品设计的效率和准确性,从而探索传统与现代的融合。这项研究还旨在突出部落社区可持续发展和经济赋权的潜力,同时保护和促进其本土艺术形式。通过弥合传统与现代之间的差距,这项研究证明了利用数字工具将部落艺术改编为纺织品的可行性,从而通过保护艺术形式和改善部落社区的整体福祉,实现创新和适销对路的设计。
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