#AllRoadsLeadtoRoute196: Remembering a Home of Metro Manila’s Music Scene in the Context of the COVID-19 Pandemic

Q2 Arts and Humanities
Monika Schoop, Renato Aguila
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引用次数: 0

Abstract

The Philippines underwent one of the world’s strictest lockdowns to curb the spread of COVID-19, forcing Manila’s iconic music venue Route 196 to shut down permanently. This article inquires into the individual and collective memory-making processes in the context of Route 196’s online farewell show. Drawing on participant observation and an analysis of the show’s social media content, we examine remembering Route 196 focusing on two key processes: narrative and experience. Building on memory studies’ premise that to be made meaningful, experiences have to be narrativized (Rigney 2016), we first analyze the narrative construction of the venue as a “home” of Metro Manila’s scene, demonstrating how it variably accommodates or marginalizes individual memories. Second, we probe the role of “lived experience” (Keightley/Pickering 2012) for memory-making. We argue that social media interaction generates new experiences of the venue, which take on particular importance given the persisting absence of live music.
#AllRoadsLeadtoRoute196:在 COVID-19 大流行的背景下缅怀大马尼拉音乐界的家园
菲律宾经历了世界上最严格的封锁之一,以遏制 COVID-19 的传播,迫使马尼拉的标志性音乐场所 Route 196 永久关闭。本文探究了 Route 196 在线告别演出中的个人和集体记忆制造过程。通过对参与者的观察和对演出社交媒体内容的分析,我们研究了记忆 196 号公路的两个关键过程:叙事和体验。记忆研究认为,要使经历具有意义,就必须将其叙事化(Rigney,2016 年),在此前提下,我们首先分析了该场地作为大马尼拉场景 "家园 "的叙事建构,展示了它是如何不同程度地容纳或边缘化个人记忆的。其次,我们探究了 "生活经验"(Keightley/Pickering,2012 年)对记忆生成的作用。我们认为,社交媒体的互动产生了对该场所的新体验,鉴于现场音乐的持续缺失,这种新体验显得尤为重要。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
IASPM Journal
IASPM Journal Arts and Humanities-Music
CiteScore
0.30
自引率
0.00%
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0
审稿时长
30 weeks
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