Symbolic Connotations in the Works of the Artist Eugene Delacroix

Al-Academy Pub Date : 2023-12-15 DOI:10.35560/jcofarts1206
Kholoud H. A. Al-Obaikan
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Abstract

The use of symbols is considered an important part of visual expression since ancient civilizations till the present time, and detecting the significance of these symbols is a communication means between the artwork and the recipient. The current study aims to detect the clarification of the concept of symbolic connotations, and to detect their importance in the works of the artist Eugene Delacroix, through description and technical analysis, and trying to monitor the technical aspects of these connotations and using them in forming the artwork; This shows the importance of the study in trying to benefit the scholars in the field of visual arts and the analysis of artworks in particular. The study used the descriptive analytical approach for detecting and analyzing these connotations to reach results related to the research objectives. The research sample consisted of paintings of the artist's works during the period (1822-1837 AD), where the works were sorted according to the specified time period, taking into account the stages and transformations in the artistic style. The artworks were chosen as a purposive sample; The number of artworks reached (4), they represent two important stages for the artist: the European stage, and the Arab Maghreb stage. The study reached several results, the most prominent of which are: the association of formative formulations in Delacroix's works according to the two artistic stages that he lived in Europe and Morocco. Also, the artist used in some of his works various symbolic connotations; the most important of which are: the conventional, explanatory and aesthetic connotations, which are among the direct symbolic connotations; The artist also used indirect symbolic connotations such as suggestive and probable connotations, and all these connotations have implicit meanings. Following the results of the study, the current study reached a set of recommendations, the most important of which are supporting the studies and researches associated to analyzing symbolic connotations in the local artworks
艺术家尤金-德拉克洛瓦作品中的象征内涵
自古至今,符号的使用一直被认为是视觉表达的重要组成部分,而探究这些符号的意义则是艺术作品与接受者之间的一种交流手段。本研究旨在通过描述和技术分析,对艺术家尤金-德拉克洛瓦(Eugene Delacroix)的作品中的符号内涵概念进行澄清,并检测其重要性,同时尝试对这些内涵的技术方面进行监测,并将其用于艺术作品的形成;这表明了本研究的重要性,尝试为视觉艺术领域的学者,尤其是艺术作品分析领域的学者带来益处。本研究采用描述性分析方法来检测和分析这些内涵,以得出与研究目标相关的结果。研究样本由艺术家在公元 1822-1837 年期间的绘画作品组成,根据指定的时间段对作品进行分类,同时考虑到艺术风格的阶段和转变。这些作品是有目的的抽样;作品数量达到(4 件),它们代表了艺术家的两个重要阶段:欧洲阶段和阿拉伯马格里布阶段。研究得出了一些结果,其中最突出的是:根据德拉克洛瓦在欧洲和摩洛哥生活的两个艺术阶段,在他的作品中形成了相关的表述。此外,艺术家还在一些作品中使用了各种象征内涵,其中最重要的是:传统内涵、解释性内涵和审美内涵,这些都属于直接象征内涵;艺术家还使用了间接象征内涵,如暗示性内涵和可能性内涵,所有这些内涵都具有隐含意义。根据研究结果,本研究提出了一系列建议,其中最重要的建议是支持与分析本地艺术作品中的象征内涵相关的学习和研究
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