Remote Access: Crip Nightlife, Artistry, and Technoscience

IF 0.4 4区艺术学 0 ART

LEONARDO Pub Date : 2023-12-20 DOI:10.1162/leon_a_02489

Aimi Hamraie, Kevin Gotkin

引用次数: 0

Abstract

Beginning in 2020, Kevin Gotkin spearheaded the virtual Remote Access disability nightlife events. Aimi Hamraie directs the Critical Design Lab and coined the term “crip technoscience.” Here, Hamraie interviews Gotkin about genesis of this disability arts and culture party into an ongoing experiment in critical access-making. They focus on the elements of artistic production, presentation, and exhibition that required crip technoscience interventions before and during the COVID-19 pandemic.

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远程访问：瘸子的夜生活、艺术和技术科学

从 2020 年开始，凯文-戈特金（Kevin Gotkin）带头举办虚拟远程访问残疾人夜生活活动。艾米-哈姆雷（Aimi Hamraie）是 "批判设计实验室"（Critical Design Lab）的负责人，并创造了 "瘸子技术科学"（crip technoscience）一词。在此，哈姆雷采访了高特金，探讨如何将这一残疾人艺术与文化派对发展为一场持续的 "批判性访问制造 "实验。他们重点讨论了在 COVID-19 大流行之前和期间需要携程技术科学干预的艺术创作、展示和展览元素。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

LEONARDO ART-

CiteScore

0.90

自引率

0.00%

发文量

139

期刊介绍： Leonardo was founded in 1968 in Paris by kinetic artist and astronautical pioneer Frank Malina. Malina saw the need for a journal that would serve as an international channel of communication between artists, with emphasis on the writings of artists who use science and developing technologies in their work. Today, Leonardo is the leading journal for readers interested in the application of contemporary science and technology to the arts.