{"title":"The Musical Devil Revisited: Vercelli Homily X and Satan’s Fiddle","authors":"Christina M. Heckman","doi":"10.1163/15685292-02705007","DOIUrl":null,"url":null,"abstract":"<p>This article argues that modern examples of the Devil as a player of plucked and bowed stringed instruments extend early medieval representations of the Devil’s music as a powerfully persuasive force that can be used to draw souls toward Satan and, conversely, to defend against his musical machinations. By examining Homily <span style=\"font-variant: small-caps;\">X</span> of the Vercelli Book (c. tenth century) in relation to early medieval music theory, the legend of St. Dunstan, and modern examples of the fiddle-playing Devil, this article demonstrates that the musical Devil and his opponents show every sign of sustaining the motif’s power into the future.</p>","PeriodicalId":41383,"journal":{"name":"Religion and the Arts","volume":"21 1","pages":""},"PeriodicalIF":0.1000,"publicationDate":"2023-12-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Religion and the Arts","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1163/15685292-02705007","RegionNum":4,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"RELIGION","Score":null,"Total":0}
引用次数: 0
Abstract
This article argues that modern examples of the Devil as a player of plucked and bowed stringed instruments extend early medieval representations of the Devil’s music as a powerfully persuasive force that can be used to draw souls toward Satan and, conversely, to defend against his musical machinations. By examining Homily X of the Vercelli Book (c. tenth century) in relation to early medieval music theory, the legend of St. Dunstan, and modern examples of the fiddle-playing Devil, this article demonstrates that the musical Devil and his opponents show every sign of sustaining the motif’s power into the future.