{"title":"Connections / disconnections: on Alice Diop’s Nous","authors":"Thomas Austin","doi":"10.1080/26438941.2023.2283984","DOIUrl":null,"url":null,"abstract":"This article considers how Alice Diop’s documentary Nous/We (2021) challenges the myopia of hegemonic colourblind constructions of France and its people. Its title both raises a question (who are w...","PeriodicalId":40074,"journal":{"name":"French Screen Studies","volume":"6 1","pages":""},"PeriodicalIF":0.5000,"publicationDate":"2023-12-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"French Screen Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/26438941.2023.2283984","RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"FILM, RADIO, TELEVISION","Score":null,"Total":0}
引用次数: 0
Abstract
This article considers how Alice Diop’s documentary Nous/We (2021) challenges the myopia of hegemonic colourblind constructions of France and its people. Its title both raises a question (who are w...