‘|Y]oung Hamlet’

IF 0.3 3区 文学 0 LITERARY THEORY & CRITICISM
Mette Hildeman Sjölin
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引用次数: 0

Abstract

Shakespeare's Hamlet has been retold in children's versions several times in Sweden in recent years. It was the subject of the first episode of the children's television programme På teatern [At the Theatre], written and directed by Christina Nilsson for SVT in 2001–2002, where Shakespearean actors meet their child or grandchild backstage after a performance to tell and partly enact the story of the play. In 2005–2006, Lotta Grut wrote the plays Lille Hamlett och spöket [Little Hamlett and the Ghost] and Offelia kom igen! [Offelia Come Again!] for the theatre company Unga Roma. In these fairy-tale versions, the children Hamlet and Ophelia are confronted with death, grief, anger, oppression and erasure. This article argues that the På teatern episode is an adaptation of Hamlet while Grut's two plays are appropriations.
年轻的哈姆雷特
近年来,莎士比亚的《哈姆雷特》在瑞典被多次以儿童版本重述。这是儿童电视节目《在剧院》第一集的主题,该节目由克里斯蒂娜·尼尔森(Christina Nilsson)在2001-2002年为SVT编剧和导演,在节目中,莎剧演员在演出结束后与他们的孩子或孙子在后台见面,讲述并部分演绎戏剧的故事。2005年至2006年,洛塔·格鲁特撰写了剧本《小哈姆雷特与幽灵》spöket和《奥菲利亚·康根!》奥菲利亚:再来吧!为Unga Roma剧团演出。在这些童话版本中,哈姆雷特和奥菲莉亚这两个孩子面临着死亡、悲伤、愤怒、压迫和抹去。本文认为,《哈姆雷特》这一集是对《哈姆雷特》的改编,而格鲁特的两部戏剧是对《哈姆雷特》的改编。
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来源期刊
Critical Survey
Critical Survey LITERARY THEORY & CRITICISM-
CiteScore
0.20
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