Identity and cultural expression in Greenlandic fashion1

Rosannguaq Rossen
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Abstract

The West Greenlandic national dress represents one of many aspects of Greenlandic identity and culture and is being used in contemporary fashion designs. Young Greenlanders are branding themselves in the media through fashion and are proud to wear distinctive signs of ‘Greenlandicness’. However, the incorporation of ‘sacred’ and cultural symbols, such as elements from the national costume, into fashion statements is problematic. Public disputes for and against changes to the perceived traditional symbols will form the basis of the empirical analysis. Will changing elements within the culture imply an impure culture and a weaker Greenlandicness? Fashion seems to be an important platform for negotiating identity, as it makes room for mixing elements and for challenging the essential dichotomy of purity and impurity, instead of placing Greenlandic identity and culture in a straitjacket of normative perceptions of tradition, essence and reification.
格陵兰时装中的身份认同和文化表达1
西格陵兰民族服装代表了格陵兰身份和文化的许多方面之一,并被用于当代时装设计。年轻的格陵兰人通过时尚在媒体上树立自己的品牌,并以穿着独特的“格陵兰特色”标志而自豪。然而,将“神圣”和文化符号(如民族服装元素)纳入时尚宣言是有问题的。支持和反对改变传统符号的公众争论将构成实证分析的基础。文化中不断变化的元素是否意味着不纯粹的文化和较弱的格陵兰性?时尚似乎是协商身份的重要平台,因为它为混合元素和挑战纯粹与不纯洁的基本二分法提供了空间,而不是将格陵兰的身份和文化置于传统、本质和具体化的规范观念的束缚之下。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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