Enlightenment Response: A Study of Rational Spirit in the Works of Jean-Honoré Fragonard

Xinchi Wang
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Abstract

This paper utilizes Jean-Honoré Fragonard’s paintings, housed in collections across Europe and North America, as primary source material. Employing methods from art history, social art history, literary analysis, and intellectual history, the study aims to explore the connections between Fragonard’s artistic philosophy, the social context of 18th-century France, and the cultural trends of the time. The paper investigates Fragonard’s response to Enlightenment and rationality through his paintings. The results indicate that, situated in an era oscillating between Rococo and realistic styles, Fragonard’s works provide a glimpse into the social and cultural milieu of late 18th-century France. Driven by the spirit of reason, Fragonard created a series of landscapes and genre paintings. Simultaneously, his sensitivity to emotions rendered his works vivid and dynamic, embodying the collaborative interplay of sensibility and reason.
启蒙运动的回应:让-奥诺雷-弗拉戈纳尔作品中的理性精神研究
本文利用jean - honor Fragonard的画作,收藏在欧洲和北美,作为主要来源材料。本研究采用艺术史、社会艺术史、文学分析和思想史等方法,旨在探索弗拉戈纳尔的艺术哲学、18世纪法国的社会背景和当时的文化趋势之间的联系。本文通过弗拉戈纳尔的绘画来考察他对启蒙和理性的回应。结果表明,在洛可可和现实主义风格之间摇摆的时代,弗拉戈纳尔的作品提供了对18世纪晚期法国社会和文化环境的一瞥。在理性精神的驱使下,弗拉戈纳尔创作了一系列风景画和风俗画。同时,他对情感的敏感使他的作品生动活泼,体现了感性与理性的协同互动。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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