‘Developing Live-interactive Approaches to New Music for Organ and Electronics Through Collaboration’

IF 0.3 2区艺术学 N/A MUSIC

Contemporary Music Review Pub Date : 2023-11-27 DOI:10.1080/07494467.2023.2277545

Lauren Redhead

引用次数: 0

Abstract

In this article, I argue for a shift of focus from mechanical/technological and sonic approaches to music for organ and electronics towards the role of the organist as a performing musician in the ...

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“通过合作开发管风琴和电子学新音乐的现场互动方法”

在这篇文章中，我主张将关注点从机械/技术和声学方法转移到管风琴和电子音乐中，转向管风琴作为表演音乐家的角色。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

Contemporary Music Review MUSIC-

CiteScore

1.00

自引率

25.00%

发文量

期刊介绍： Contemporary Music Review provides a forum for musicians and musicologists to discuss recent musical currents in both breadth and depth. The main concern of the journal is the critical study of music today in all its aspects—its techniques of performance and composition, texts and contexts, aesthetics, technologies, and relationships with other disciplines and currents of thought. The journal may also serve as a vehicle to communicate documentary materials, interviews, and other items of interest to contemporary music scholars. All articles are subjected to rigorous peer review before publication. Proposals for themed issues are welcomed.

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