SERMONS, HOMILIARIES AND PLAINSONG FOR THE NIGHT OFFICE: THE CASE OF STEPHEN THE PROTOMARTYR

IF 0.2 1区 艺术学 0 MUSIC
Benjamin Brand
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引用次数: 0

Abstract

While the great majority of Franco-Roman plainsong features lyrics adapted from the Bible, a long recognised but little studied minority sets excerpts from patristic sermons and commentaries. The antiphons and responsories for the night office on the feast of St Stephen are a case study of such literary borrowing. The lyrics of these chants feature a wide range of verbal debts and reminiscences from sermons written or inspired by Augustine, the majority of which were transmitted in the seventh-century Roman homiliary and thus recited as lessons at matins. Together, the plainsong and lessons develop a distinctively Augustinian portrait of Stephen as a kind, compassionate advocate for his persecutors rather than as the hard-nosed rhetorician he is depicted to be in the Bible. They thus illuminate the working methods and theological priorities of Roman lyricists as they crafted verbal texts for sung delivery in the Divine Office.
布道,布道和夜间办公室的圣歌:殉道者斯蒂芬的案例
虽然绝大多数法罗马民谣的歌词都改编自《圣经》,但也有少数人从教父的布道和评论中摘录了一些内容,这些内容长期以来得到了认可,但很少有人研究。圣斯蒂芬盛宴上的夜间办公室的对偶和责任是这种文学借用的一个案例研究。这些圣歌的歌词以奥古斯丁写的或受其启发的布道中的语言和回忆为特色,其中大部分是在七世纪的罗马布道中传播的,因此在早上背诵作为课程。这些平淡的歌曲和教训共同塑造了一个独特的奥古斯丁式的司提反形象,他是一个善良、富有同情心的迫害者的拥护者,而不是圣经中所描绘的精明的修辞学家。因此,他们阐明了罗马词作者的工作方法和神学优先级,因为他们精心制作口头文本,在神圣的办公室演唱。
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来源期刊
CiteScore
0.60
自引率
0.00%
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0
期刊介绍: Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century. It gives preference to studies pursuing interdisciplinary approaches and to those developing new methodological ideas. The scope is broad and includes manuscript studies, textual criticism, iconography, studies of the relationship between words and music, and the relationship between music and society.
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