Moving statues: Monuments to empire from London's Waterloo Place to the Maidan in Calcutta

IF 1.3 2区 历史学 Q2 GEOGRAPHY
Durba Ghosh
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引用次数: 0

Abstract

From the end of the Napoleonic wars through the First World War, London was made into a historic city that showcased it as the heart of a growing empire. Waves of urban reform produced public spaces, such as Waterloo Place, that were populated with statues of military and imperial heroes involved in Britain's territorial conquests. The result was that London came to be imagined as old, designed in a neoclassical style that could be seen across the empire in cities such as Calcutta, which had been the capital of British India through the nineteenth century. Some statues installed in Calcutta were made in London and displayed at the Royal Academy or elsewhere before they were sent abroad. In spite of the seeming permanence of statues, this essay shows that throughout the nineteenth and early twentieth centuries, statues were moved on multiple occasions to respond to changing political and aesthetic demands.

移动的雕像:从伦敦滑铁卢广场到加尔各答独立广场的帝国纪念碑
从拿破仑战争结束到第一次世界大战,伦敦成为一座历史名城,展示了它作为一个不断发展的帝国的中心。城市改革的浪潮产生了公共空间,比如滑铁卢广场,到处都是参与英国领土征服的军事和帝国英雄的雕像。其结果是,伦敦开始被想象成一个古老的、以新古典主义风格设计的城市,这种风格在整个帝国的城市都可以看到,比如加尔各答,它在19世纪一直是英属印度的首都。加尔各答的一些雕像是在伦敦制作的,在皇家学院或其他地方展出,然后运往国外。尽管雕像看起来是永久的,但这篇文章表明,在整个19世纪和20世纪初,雕像多次被移动,以响应不断变化的政治和审美需求。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
1.50
自引率
10.00%
发文量
53
期刊介绍: A well-established international quarterly, the Journal of Historical Geography publishes articles on all aspects of historical geography and cognate fields, including environmental history. As well as publishing original research papers of interest to a wide international and interdisciplinary readership, the journal encourages lively discussion of methodological and conceptual issues and debates over new challenges facing researchers in the field. Each issue includes a substantial book review section.
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