Theatrical Affordances to Stage the Perceived-Experienced Reality of People with Dementia: Florian Zeller’s Dramaturgy of Porosity in The Father

IF 0.3 2区艺术学 0 THEATER

CONTEMPORARY THEATRE REVIEW Pub Date : 2023-11-23 DOI:10.1080/10486801.2023.2249395

Heunjung Lee

引用次数: 0

Abstract

This article investigates how French playwright Florian Zeller positions his writing with respect to realism in his play The Father (Le Père, 2012) and what his dramaturgy of porosity adds to the r...

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舞台上对痴呆症患者感知-体验现实的戏剧支持:弗洛里安·泽勒在《父亲》中对多孔性的戏剧处理

本文探讨了法国剧作家弗洛里安·泽勒(Florian Zeller)在他的戏剧《父亲》(Le poulre, 2012)中如何将他的写作与现实主义联系起来，以及他的多孔性戏剧为现实主义增添了什么。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

CONTEMPORARY THEATRE REVIEW THEATER-

CiteScore

0.50

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0.00%

发文量

期刊介绍： Contemporary Theatre Review (CTR) analyses what is most passionate and vital in theatre today. It encompasses a wide variety of theatres, from new playwrights and devisors to theatres of movement, image and other forms of physical expression, from new acting methods to music theatre and multi-media production work. Recognising the plurality of contemporary performance practices, it encourages contributions on physical theatre, opera, dance, design and the increasingly blurred boundaries between the physical and the visual arts.