A Study of New Main Theme Films under Rhetorical Theory: Taking the Film "Full River Red" as an Example

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Abstract

The film "Full River Red" was released during the Spring Festival of 2023, with Zhang Yimou as the director and Chen Yu as the writer. It achieved significant success, surpassing the $4 billion mark at the box office. The film deviates from traditional melodramatic film creation and challenges conventional practices in character development, subject matter portrayal, and narrative intentions. "Full River Red" revolves around the conceptual theme of "Full River Red" and employs a narrative polyphony that continuously reverses. It focuses on a minor character who sacrifices his life for justice within a specific historical context. This approach highlights the theoretical nature of "rhetorical film," combining national righteousness as a spiritual core with popular culture and neuro-comedy elements. The skillful combination of commerce and literature in "Full River Red" has resonated strongly with the audience. It follows the artistic character and film aesthetics established by director Zhang Yimou while also providing significant momentum for developing China's new melodramatic cinema.
修辞理论下的新主旋律电影研究——以电影《满江红》为例
电影《满江红》于2023年春节期间上映,张艺谋担任导演,陈宇担任编剧。它取得了巨大的成功,票房超过了40亿美元。这部电影偏离了传统的情节电影创作,在人物发展、主题刻画和叙事意图方面挑战了传统的做法。《满江红》围绕着“满江红”的概念主题,采用了一种不断反转的叙事复调。它关注的是一个在特定历史背景下为正义牺牲生命的小角色。这种方法突出了“修辞电影”的理论本质,将民族正义作为精神内核与大众文化和神经喜剧元素相结合。《满江红》中商业与文学的巧妙结合引起了观众的强烈共鸣。它继承了张艺谋导演确立的艺术品格和电影美学,同时也为中国新情节电影的发展提供了重要动力。
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