PERKEMBANGAN MUSIK DAN BUDAYA HIP-HOP DI TIONGKOK: EKSISTENSI THE RAP OF CHINA DI TENGAH KETATNYA SENSOR

Matsnaa Chumairo, R. Tuty Nur Mutia
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引用次数: 0

Abstract

Hip-hop culture and rap music originated from the African-American community that emerged around the 1970s in New York City. Hip-hop started to enter PRC in the 1990s and continues to grow among the younger generation. A hip-hop talent search show titled The Rap of China, released in 2017, became very popular, bringing hip-hop music and culture to the fore. Unfortunately, it must eventually face PRC government’s intervention in its development. This article discusses the influence of Chinese government's censorship policies on the development of hip-hop music and culture in China. This case study was conducted using the historical approach, with the primary data source being the recordings of The Rap of China from seasons 1 to 4. One of our most important findings is that hip-hop music and culture can survive and thrive amid the strict censorship of the PRC government.
中国嘻哈音乐和文化的发展:中国说唱文化的存在存在于审查的核心
嘻哈文化和说唱音乐起源于20世纪70年代左右出现在纽约市的非裔美国人社区。嘻哈音乐在20世纪90年代开始进入中国,并在年轻一代中持续增长。2017年推出的嘻哈选秀节目《中国有嘻哈》非常受欢迎,将嘻哈音乐和文化带到了前台。不幸的是,它最终必须面对中国政府对其发展的干预。本文探讨了中国政府的审查政策对中国嘻哈音乐和文化发展的影响。本案例研究采用历史方法进行,主要数据来源为《中国有嘻哈》第一季至第四季的录音。我们最重要的发现之一是,嘻哈音乐和文化可以在中国政府的严格审查中生存和发展。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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