REPRESENTATION OF ANIMAL MOTIFS IN INDIAN ART: AN OVERVIEW

Debasish Chakraborty
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Abstract

The relation between human and animals and its association in our daily activity is unavoidable. From its representation as a visual element in calendar art to the logo design for a brand, animals are the most viewed object in literary and art works. They play a very important role in understating the ecological efficacies to create an organised equilibrium in the nature. The notion of adopting animals as visual images has age old tradition in Indian mythology in prominent, which enriches the sacred texts of Hindu beliefs with narratives of greater wisdom and values through the characters like Hanuman-Monkey God as one of such portrayal. The projections of presenting animal motifs in our art and culture infuse a sense of respect for the animals which crowns the Indian Art tradition from ancient to present time. The paper explores the presence of animals as visual motifs in the chronological development of Indian art in understanding the role of animals in our culture and tradition.
印度艺术中动物图案的表现:综述
人与动物的关系及其在我们日常活动中的关联是不可避免的。从日历艺术中作为视觉元素的表现,到品牌的标志设计,动物都是文学艺术作品中被关注最多的对象。它们在理解生态效益方面发挥着非常重要的作用,在自然界中创造了一个有组织的平衡。采用动物作为视觉形象的观念在印度神话中有着突出的古老传统,通过像哈努曼-猴子神这样的人物形象,丰富了印度教信仰的神圣文本,讲述了更大的智慧和价值。在我们的艺术和文化中,呈现动物图案的投影注入了对动物的尊重,这是印度艺术传统从古至今的核心。这篇论文探讨了动物作为视觉主题的存在,在印度艺术的年代发展中理解动物在我们的文化和传统中的作用。
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