“An Artist With Trauma” in Search of Identity: The Postmodernist Options in Ukrainian and Turkish Literatures

Q2 Arts and Humanities
Oksana Halchuk
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引用次数: 0

Abstract

The article examines the typological features of the image of an artist with trauma and its correlation with the issue of identity. The subjet matter for the analysis are the novels My Name is Red by O. Pamuk and The City with Chimeras by O. Ilchenko. The article utilises historical-literary, comparative, and mythopoetic research methods and studies of traumatic writing and identity problems. The article defines the characteristic features of the image of a traumatised artist, such as the artist's stay in a traumatic situation of creative and personal crisis, fanatical worship of the idea of serving Beauty with a dominance of the aesthetic over the moral, willingness to justify death as a form of convincing opponents; the presence of a physical injury. The article also substantiates the expediency of Medusa Gorgona’s image as a mythos-archetypal counterpart of this image. The results of the comparative analysis prove that an artist with trauma is relevant primarily for the artistic understanding of the post-colonial experience as a type of trauma. Their heroes are in search of identity. It becomes their successful or unsuccessful attempt to overcome the trauma through creativity.
寻找身份的“创伤艺术家”:乌克兰和土耳其文学中的后现代主义选择
本文探讨了创伤艺术家形象的类型学特征及其与身份问题的关联。分析的主题是O.帕慕克的小说《我的名字是红色》和O.伊尔琴科的《奇美拉之城》。本文运用历史文学、比较和神话学的研究方法,研究创伤性写作和身份问题。文章界定了创伤艺术家形象的特征,如艺术家处于创作和个人危机的创伤状态,狂热地崇拜为美服务的观念,以审美压倒道德,愿意为死亡辩护,作为一种说服对手的形式;身体受伤的存在文章还论证了美杜莎·戈戈纳形象作为这一形象的神话原型对应物的权宜之计。对比分析的结果证明,具有创伤的艺术家主要与后殖民经验作为一种创伤的艺术理解相关。他们的英雄在寻找身份。它成为他们通过创造力克服创伤的成功或不成功的尝试。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Respectus Philologicus
Respectus Philologicus Arts and Humanities-Literature and Literary Theory
CiteScore
0.30
自引率
0.00%
发文量
31
审稿时长
12 weeks
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