ON THE ONTOLOGICAL PROPERTIES OF AUDIOVISUAL TEXTS

Andrei Yu. KALININ
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Abstract

The article focuses on epistemological issues of studying audiovisual texts. Audiovisual text is considered as a type of semiotically heterogeneous messages intended for visual and auditory perception. Moreover, audiovisual texts containing a verbal component, which can be presented both in aural (auditory) and graphic (visual) forms, can serve as a subject of linguistic inquiry. The study reveals a high degree of variability in the terminological nomination of the investigated object, which is common in Russian studies of texts of a semiotically syncretic nature. Starting from the analysis of the origin and denotative load of terms proposed at different periods in Russian and international literature to describe semiotically heterogeneous artifacts, as well as observations of the structure and functioning of audiovisual content of various types, formats and genres, some characteristics that can be considered as ontological properties of audiovisual texts were identified. Such properties might include polymodality, multichannel and polycode nature and, in some cases, multimedia as well. An informational and semiotic matrix of the archetypal audiovisual text is suggested, based on the concepts of sensory (perceptual) modalities, information conveying channels and the code nature of components interplaying in the meaning-making within audiovisual works.
论视听文本的本体论属性
本文主要探讨视听文本研究的认识论问题。视听文本被认为是一种用于视觉和听觉感知的符号学异构信息。此外,含有语言成分的视听文本可以以听觉(听觉)和图形(视觉)形式呈现,可以作为语言研究的主题。该研究揭示了在被调查对象的术语命名方面的高度可变性,这在俄语研究符号学综合性质的文本中很常见。从分析俄罗斯和国际文献中不同时期提出的用于描述符号学异质人工制品的术语的来源和外延负荷,以及对不同类型、格式和体裁的视听内容的结构和功能的观察出发,确定了视听文本的一些本体论特征。这些属性可能包括多模态、多通道和多码性质,在某些情况下还包括多媒体。基于感觉(知觉)模式、信息传递渠道和音像作品中相互作用的成分的编码性质,提出了原型音像文本的信息和符号学矩阵。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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