Redemption Song: A Commentary on Caribbean Society

Maria Bacchus
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Abstract

This essay unpacked and analyzed the seven-part documentary series, Redemption Song, narrated by Stuart Hall about the Caribbean in early 1990s. Given the diversity of the Caribbean, Redemption Song unified the Caribbean through its framing of how the Caribbean’s past of foreign influence has shaped its present. Thus, this essay linked historical causality and the Caribbean’s present as a cultural mosaic to argue that Redemption Song demonstrates how contemporary Caribbean society is a product of its history of foreign influence and colonialism. This was accomplished by discussing a scene from each episode of Redemption Song and connecting it with secondary literature on Caribbean society to touch upon how the series represents, and comments on, contemporary Caribbean society. Namely, this essay discussed issues concerning economy, identity, citizenship, race, class, sovereignty, borders, and tourism and how it has related British, African, Indian, French, Spanish, and American influences in the Caribbean.
救赎之歌:对加勒比社会的评论
本文对由斯图尔特·霍尔(Stuart Hall)讲述的20世纪90年代初加勒比地区的七集系列纪录片《救赎之歌》(Redemption Song)进行了拆解和分析。考虑到加勒比地区的多样性,《救赎之歌》通过对加勒比地区过去的外国影响如何塑造其现在的框架,将加勒比地区统一起来。因此,本文将历史因果关系与加勒比地区的现状联系起来,认为《救赎之歌》展示了当代加勒比社会是外国影响和殖民主义历史的产物。这是通过讨论《救赎之歌》每一集的一个场景,并将其与加勒比社会的二手文献联系起来,以触及该系列如何代表和评论当代加勒比社会来实现的。也就是说,这篇文章讨论了有关经济、身份、公民身份、种族、阶级、主权、边界和旅游的问题,以及它如何将英国、非洲、印度、法国、西班牙和美国在加勒比地区的影响联系起来。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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