George Sand And Body Writing As An Opposition To The Patriarchal Spirit

Ikram Chemlali
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Abstract

In George Sand, the female body takes the form of a discursive place where unique ideas emerge. These are placed at the service of an aesthetic novelty consisting in painting a body that wants to be the reflection of this feminine revolt in the 19th century. The novelist actually puts the female body on stage and dares to examine it as a company fighting tirelessly for a change in misogynistic thinking. The latter considers the female body as a pure tool for the satisfaction of male carnal desire. It therefore seems essential to us to ask ourselves how the organism of the woman is transformed into a mediating figure, through which the author exposes her own conception of the female body and its relationship to the sexual desire of the man. A body that dares to rise up against the patriarchal spirit, in order to impose the existence of the woman as a subject in her own right.
乔治·桑德与反对男权精神的身体写作
在乔治·桑的作品中,女性的身体呈现出一种话语的形式,独特的思想在这里涌现。这些都是为了服务于一种美学上的新奇,包括画一个想要反映19世纪女性反抗的身体。这位小说家实际上把女性的身体放在舞台上,并敢于把它当作一个为改变厌恶女性的思想而不懈奋斗的公司来审视。后者认为女性的身体纯粹是满足男性肉欲的工具。因此,我们似乎有必要问自己,女人的有机体是如何转化为一个中介人物的,通过这个角色,作者揭示了她自己对女性身体的概念,以及女性身体与男性性欲的关系。一个敢于反抗男权精神的身体,为了将女性作为主体的存在强加于人。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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