Viewing place: Australian queer screen audiences born in the 1970s and 1980s

IF 2.1 3区 社会学 Q2 SOCIOLOGY
Tinonee Pym, Rob Cover
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引用次数: 0

Abstract

This article investigates how viewers born in the 1970s and 1980s recall Australian film and television LGBTQ+ themes, characters and narratives they viewed while they were growing up. Aspects of place and space were centred in these accounts, from memories of watching a shared television in the domestic family setting to the physical artefact of the video tape. Participants emphasised the theme of mobility toward the city and a rural/urban distinction in the film and television they discussed, and the role of city contexts in providing better access to screen media that represented LGBTQ+ lives – for example, through access to independent cinemas. These memorial accounts were considered formative and often provided the framework by which participants perceive and navigate everyday life as members of minority communities. At the same time, these place-bound accounts of encounters with LGBTQ+ screen texts expressed a complex attachment to domestic spaces, tangible objects and narratives of mobility.
观看地点:澳大利亚70、80后的酷儿银幕观众
本文调查了七八十年代出生的观众如何回忆他们成长过程中看到的澳大利亚LGBTQ+题材、人物和叙事。地点和空间的各个方面都集中在这些叙述中,从在家庭环境中观看共享电视的记忆到录像带的物理人工制品。与会者在讨论的电影和电视中强调了向城市流动和城乡差异的主题,以及城市环境在提供更好地接触代表LGBTQ+生活的屏幕媒体方面的作用——例如,通过进入独立电影院。这些纪念性的描述被认为是形成性的,并且通常提供了参与者作为少数民族社区成员感知和驾驭日常生活的框架。与此同时,这些与LGBTQ+屏幕文本相遇的地点约束描述表达了对家庭空间、有形物体和流动性叙事的复杂依恋。
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来源期刊
Sexualities
Sexualities SOCIOLOGY-
CiteScore
4.20
自引率
6.70%
发文量
70
期刊介绍: Consistently one of the world"s leading journals in the exploration of human sexualities within a truly interdisciplinary context, Sexualities publishes peer-reviewed, scholarly articles that exemplify the very best of current research. It is published six times a year and aims to present cutting-edge debate and review for an international readership of scholars, lecturers, postgraduate students and advanced undergraduates. Sexualities publishes work of an analytic and ethnographic nature which describes, analyses, theorizes and provides a critique on the changing nature of the social organization of human sexual experience in the late modern world.
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