Museum metaphysics

Elena G. Elina, Jennet G. Sapozhnikova
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Abstract

This review deals with the book by S. V. Klimenko, a well-known philologist, a staff member of the N. G. Chernyshevskiy Estate Museum. It shows the academic character of the book under review. The book is timed according to the periods of the author’s creative life, but at the same time the identified periods appear to be crucial for the history of the museum as they were linked to anniversaries of N. G. Chernyshevskiy or memorable dates in the history of the museum itself. The content of the book combines fascinating stories about the creation of new museum “products” and the definition of the essence and purpose of the profession of someone whose life is connected to a literary museum. A literary museum worker is presented in the book as a person for whom the literary studies of sources become not only a process inseparable from the museum work but also an object of academic research and exploration. Considerable attention is paid to the problems of museum work as the most important area of humanitarian knowledge. S. V. Klimenko is also concerned with the issues of personnel training and funding. An important point for the author of the book becomes the question of what materials a separate museum exhibition or a large exposition should be based on. S.V. Klimenko assigns great importance to the development of the concept of an exhibition or exposition in museum work. Discussions that accompany the emergence of any new “product” represent the birth of the concept, i.e. understanding of the principles of material selection, logic of its presentation and scientific commentary. The author of the book advocates the conceptual approach to the presentation of museum exhibits in showcases or on walls in an essentially rigorous way. S. V. Klimenko has succeeded not only in opening the world of the literary museum to the reader, but in showing its heartbeat in several dimensions, projected on the science, source studies, archives, education, working with the visitors, and the work of exhibition designers.
博物馆的形而上学
本文讨论的是著名语言学家、车尔尼雪夫斯基遗产博物馆工作人员克里门科(s.v. Klimenko)的著作。它显示了被评论的书的学术性质。这本书是根据作者创作生涯的各个时期来安排时间的,但同时,这些确定的时期似乎对博物馆的历史至关重要,因为它们与n.g.车尔尼雪夫斯基的周年纪念日或博物馆本身历史上值得纪念的日期有关。这本书的内容结合了关于创造新的博物馆“产品”的迷人故事,以及与文学博物馆息息相关的人对职业本质和目的的定义。在这本书中,文学博物馆工作者是这样一个人,对他来说,文学来源研究不仅是一个与博物馆工作不可分割的过程,而且是一个学术研究和探索的对象。作为人道主义知识最重要的领域,博物馆工作的问题得到了相当大的关注。S. V. Klimenko也关心人员培训和经费问题。对于本书的作者来说,一个重要的问题是,一个单独的博物馆展览或一个大型展览应该以什么材料为基础。S.V.克里门科非常重视在博物馆工作中发展展览或博览会的概念。伴随任何新“产品”出现的讨论代表了概念的诞生,即对材料选择原则的理解,其呈现逻辑和科学评论。这本书的作者主张以一种本质上严谨的方式在陈列柜或墙上展示博物馆展品的概念方法。s·v·克里门科不仅成功地向读者打开了文学博物馆的世界,而且从几个方面展示了它的心跳,投射在科学、资料研究、档案、教育、与参观者的合作以及展览设计师的工作上。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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