Stylizing Asian

Yifan Wu
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引用次数: 0

Abstract

The paper examines the linguistic and cultural features Nigel Ng, a Malaysian comedian, utilized in his performance as Uncle Roger, a Cantonese English speaker, and the ensuing repercussions. The data analysis shows that a) Ng does not use all the features of Hongkong English, and his use of the features is inconsistent; b) Ng’s stylized English incorporates stereotypical linguistic features associated with several discrete ethnic varieties in the pan-Asian area; c) Ng's performance of Uncle Roger is a conscious media strategy to connect with a more diasporic audience. This paper therefore argues that Ng's performance is a racial stylization of pan-Asian. On the one hand, it challenges White hegemony by constructing a proud Asian identity and criticizing the misrepresentation of Asian cultures. On the other hand, it also reproduces stigmatized stereotypes by foregrounding out-group stereotypes of pan-Asians. The racial stylization discussed in this paper illustrates the double-edged nature of stylization.
包含亚洲
本文考察了马来西亚喜剧演员吴立胜在扮演说粤语、英语的罗杰叔叔时所使用的语言和文化特征,以及由此产生的影响。数据分析表明,a)吴恩达并没有使用香港英语的所有特征,他对特征的使用是不一致的;b)吴氏的程式化英语融合了泛亚地区几个不同民族的典型语言特征;c)吴恩达在《罗杰叔叔》中的表演是一种有意识的媒体策略,旨在与更多散居的观众建立联系。因此,本文认为吴恩达的表演是泛亚的种族风格化。一方面,它通过构建自豪的亚洲人身份,批评对亚洲文化的歪曲,挑战白人霸权。另一方面,它也通过突出对泛亚洲人的群体外刻板印象来再现污名化的刻板印象。本文讨论的种族风格化说明了风格化的双刃剑性质。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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