Interaction Between Main and Support Creative Staff When Television Programme Preparing: on and off Camera

Oleksandr Butko, Ilona Piholenko
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Abstract

The purpose of the article is to analyze the main aspects of interaction between the main and auxiliary creative staff in the process of preparing a television programme, and also to explore the history of the creation of morning programmes on the basis of the Ukrainian information and entertainment television show Breakfast with 1+1; to analyze the professional tasks of specialists; to identify how this format has changed over more than half a century; to clarify the job responsibilities of the team and its impact on the quality of the broadcast; to compare morning news in peacetime and wartime based on the work of colleagues during this period; to study the history of the 1+1 TV channel’s morning programme and its changes over 25 years. Research methodology. The following methods were used: theoretical – to compare foreign morning projects of the 50s of the 20th century; empirical – to observe the work of the team off-screen, to analyse the work of the morning show staff, and their impact on the air; comparative – to consider the peculiarities of work in pre-war and wartime. Scientific novelty. For the first time, the author analyses the aspects of interaction between the main and auxiliary creative staff in the process of preparing a television programme, based on the analysis, reveals the work of the morning broadcasting team in wartime, describes the job responsibilities of employees in emergency circumstances, provides examples of new headings, draws parallels between foreign and domestic morning shows, and summarizes the history of the creation of this format on foreign and Ukrainian television. Conclusions. On the basis of the Ukrainian information and entertainment television show Breakfast with 1+1, the article has studied in detail the history of the morning programmes’ creation; it has analysed the professional tasks of specialists, in particular those who work behind the scenes; it has compared the morning news in peacetime and wartime based on the work of colleagues during this period; it has studied the history of the creation of the morning programme of the 1+1 TV channel, as well as its changes over the past 25 years.
在电视节目准备过程中,主创人员和辅助创人员的互动:在镜头前和镜头外
本文的目的是分析一档电视节目制作过程中主辅创意人员互动的主要方面,并以乌克兰资讯娱乐类电视节目《1+1早餐》为基础,探讨早间节目的创作历史;分析专家的业务任务;为了确定半个多世纪以来这种形式是如何变化的;明确团队的工作职责及其对播出质量的影响;结合同行在这一时期的工作,对和平时期和战时的早间新闻进行比较;研究“1+1”电视频道早间节目的历史及其25年来的变化。研究方法。使用了以下方法:理论-比较20世纪50年代的外国早晨项目;经验-观察团队在屏幕外的工作,分析早间节目工作人员的工作,以及他们对节目的影响;比较-考虑战前和战时工作的特点。科学的新奇。作者首次分析了电视节目制作过程中主辅创意人员相互作用的各个方面,在此基础上,揭示了战时早间广播团队的工作,描述了紧急情况下员工的工作职责,提供了新标题的例子,比较了国外和国内早间节目的相似之处。并总结了这种形式在外国和乌克兰电视上的创造历史。结论。本文以乌克兰资讯娱乐电视节目《1+1早餐》为研究对象,详细研究了乌克兰早间节目的创作历史;它分析了专家的专业任务,特别是那些在幕后工作的人;结合同行在这一时期的工作,对和平时期和战时的早间新闻进行了比较;它研究了1+1电视频道早间节目的创建历史,以及它在过去25年里的变化。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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