Brief, Undeniable: Lyric Address in Mark Strand

Tim DeJong
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Abstract

Abstract: This essay balances universalist and historicist approaches to reading lyric through an analysis of the poetry of Mark Strand. The ordering consciousness behind a given poet’s body of work offers an avenue to understanding Strand’s work and lyric more generally. Textual rather than biographical, this “lyric self” manifests the twin functions of the lyric poem, to challenge death and to reach out to the reader. Developments in late modernity have occasioned a turn from a self-enclosed mimetic model of lyric to a rhetorical one conscious of audience. Strand’s awareness of this change and his position relative to it assigns him a paradoxical vision of lyric, one that inscribes a self and communicates with the reader but simultaneously questions the potential and value of doing so. A close reading of Strand’s work reveals how his poems balance motivations fundamental to lyric form against the philosophical commitments of secular modernity.
简短,不可否认:马克·斯特兰德的抒情演说
摘要:本文通过对马克·斯特兰德诗歌的分析,平衡了普遍主义和历史主义的抒情阅读方法。特定诗人作品背后的秩序意识为更广泛地理解斯特兰德的作品和歌词提供了一条途径。这种“抒情性的自我”体现了抒情诗的双重功能,即挑战死亡和触及读者。晚期现代性的发展导致了一种从自我封闭的摹仿式抒情模式向有意识受众的修辞模式的转变。斯特兰德对这种变化的意识以及他相对于这种变化所处的位置赋予了他一种矛盾的抒情视野,一种将自我铭刻下来并与读者交流,但同时质疑这样做的潜力和价值的人。仔细阅读斯特兰德的作品,就会发现他的诗歌是如何平衡抒情形式的基本动机和世俗现代性的哲学承诺的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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