Jewelry and People in the Byzantine Cemetery of Parapotamos, Epiros

Abstract

Jewelry reflecting the tastes, needs, and practices of past users across all social strata constitutes one of the most representative portable arts in the Middle Ages. Jewelry’s typical lack of iconography or original context has often prevented scholars of Byzantine art from engaging with the medium’s socio-historical value. By bringing together artworks from museum collections and objects found in the cemetery of Parapotamos, in northwestern Greece, this study disentangles medieval jewelry from an inquiry into provenance or the development of fashion and instead situates specific jewels in a discussion about meaning on a social level, in terms of ownership and human behavior in Byzantium and beyond.