Artistic aesthetics of socialist realism in Zh. Zalikhanov’s creative work

IF 0.6 Q3 COMMUNICATION
Gulfiya Djamalovna Bazieva
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Abstract

The research aims to substantiate the positive influence of the aesthetics of socialist realism on the creative work of the Balkar writer Zh. Zh. Zalikhanov (1917-1996), who was at the forefront of the development of written literature in the native language. The paper examines the main methodological principles of the aesthetics of socialist realism: a truthful, historically concrete reflection of reality, the assertion of new socialist ideals and relations aimed at the formation of the literature that is “national in form and socialist in content”. Using Zh. Zh Zalikhanov’s novels “Mountain Eagles”, “Burning Hearts” and “The Baksan Star” as an example, the paper explores the main ways of artistic expression that give the writer’s works national specificity and colouring (images, symbols, signs). Zh. Zh. Zalikhanov’s creative work reflects such principles of the socialist realism method as historicism, artistic truth, national spirit, which are used as means of historical truth (depiction of specific events, biographies of real historical figures), on the one hand, and as ways of reflecting national specifics (anthroponymic and toponymic units, phraseological expressions, proverbs and sayings, etc.), on the other hand. The research is original in that it is the first to examine the aesthetic principles of artistic merit in the creative work of Zh. Zh. Zalikhanov using not only a historical but also a culturological approach to a literary work as a “culture code”. The research findings have shown that the socialist realism method contributed to the development of new means of visual and artistic expression of Soviet literature and the formation of new principles of artistic merit of the literature “national in form and socialist in content”.
社会主义现实主义的艺术美学。扎里哈诺夫的创造性作品
本研究旨在证实社会主义现实主义美学对巴尔卡尔作家赵的创作产生的积极影响。Zh型。扎利哈诺夫(1917-1996),他是母语书面文学发展的先驱。本文考察了社会主义现实主义美学的主要方法论原则:真实地、历史地、具体地反映现实,主张新的社会主义理想和关系,旨在形成“形式民族主义、内容社会主义”的文学。使用Zh型。本文以扎利哈诺夫的小说《山鹰》、《燃烧的心》和《巴克山之星》为例,探讨了赋予扎利哈诺夫作品民族性和色彩的主要艺术表现方式(形象、符号、符号)。Zh型。Zh型。扎利哈诺夫的创作体现了社会主义现实主义方法的历史主义、艺术真理性、民族精神等原则,一方面作为历史真实的手段(具体事件的描写、真实历史人物的传记),另一方面又作为反映民族特殊性的方式(人名地名单位、用语表达、谚语谚语等)。本研究的独到之处在于,它首次考察了郑氏创作中艺术价值的审美原则。Zh型。扎里哈诺夫不仅从历史的角度,而且从文化的角度,把文学作品作为“文化密码”。研究结果表明,社会主义现实主义方法促进了苏联文学视觉艺术表现新手段的发展,形成了“形式民族主义、内容社会主义”的文学艺术价值新原则。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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