Open access violence: Legacies of white supremacist data making at the Penn Museum, from the Morton Cranial Collection to the MOVE remains

IF 0.6 0 HUMANITIES, MULTIDISCIPLINARY
Lyra D. Monteiro
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引用次数: 0

Abstract

Abstract This article examines how openly sharing data online can continue the dehumanizing work of 19th century “collectors” who stole the bodies of colonized peoples. It addresses the ongoing controversies at the University of Pennsylvania Museum of Archaeology and Anthropology (“Penn Museum“), regarding the interlinked weaponization of over one thousand crania used by racial scientist Samuel George Morton, and the remains of two Black children murdered by the police in the 1985 MOVE bombing, and asks, how can descendant communities regain their kin and take control of the data the museum has extracted from them? And how can scholars and other heritage workers within colonial institutions support them?
开放获取暴力:宾夕法尼亚博物馆白人至上主义者数据制作的遗产,从莫顿头骨收藏到MOVE遗骸
摘要:本文探讨了在线公开共享数据如何继续19世纪窃取殖民地人民尸体的“收藏家”的非人化工作。它解决了宾夕法尼亚大学考古与人类学博物馆(“宾夕法尼亚博物馆”)正在进行的争议,关于种族科学家塞缪尔·乔治·莫顿使用的1000多个头骨的相互关联的武器化,以及1985年MOVE爆炸事件中被警察杀害的两名黑人儿童的遗体,并提出了问题,后代社区如何重新获得他们的亲属并控制博物馆从他们那里提取的数据?殖民机构内的学者和其他文物工作者如何支持他们?
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
International Journal of Cultural Property
International Journal of Cultural Property HUMANITIES, MULTIDISCIPLINARY-
CiteScore
1.30
自引率
14.30%
发文量
13
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