“The 62 Members of the Mickey Mouse Club”: Yearbook Impressions

IF 0.4 3区 文学 0 LITERARY THEORY & CRITICISM
Kalani Michell
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引用次数: 0

Abstract

This essay redirects attention to questions of reception in German-speaking contexts, instead of a limited stress on what is “produced” there. This not only affords us, German studies scholars at North American universities, an opportunity to take into account our own reception of imported European goods within our specific institutional and local cultural contexts. It also confirms what we so often claim in our teaching statements, namely, that our students play a key role in the meaning of these objects, not as mere “receivers” but as fellow interlocuters, since the questions asked about these objects structure them in the first place. The messiness of these transcultural European trade routes needs to be taken seriously so that the noise, mixed messages, and missed signals might become part of our objects of interpretation, instead of being relegated to the footnotes of standard histories.
“米老鼠俱乐部的62名成员”:年鉴印象
这篇文章将注意力重新转向德语语境中的接受问题,而不是有限地强调在那里“生产”了什么。这不仅为我们这些北美大学的德国研究学者提供了一个机会,可以在我们特定的制度和当地文化背景下考虑我们自己对进口欧洲商品的接受情况。它也证实了我们在教学陈述中经常声称的,即我们的学生在这些对象的意义中起着关键作用,不仅仅是作为“接受者”,而是作为对话者,因为对这些对象提出的问题首先构成了它们。这些跨文化欧洲贸易路线的混乱需要认真对待,这样噪音、混杂的信息和错过的信号才可能成为我们解释对象的一部分,而不是被降级到标准历史的脚注中。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
NEW GERMAN CRITIQUE
NEW GERMAN CRITIQUE LITERARY THEORY & CRITICISM-
CiteScore
0.40
自引率
0.00%
发文量
17
期刊介绍: Widely considered the top journal in its field, New German Critique is an interdisciplinary journal that focuses on twentieth- and twenty-first-century German studies and publishes on a wide array of subjects, including literature, film, and media; literary theory and cultural studies; Holocaust studies; art and architecture; political and social theory; and philosophy. Established in the early 1970s, the journal has played a significant role in introducing U.S. readers to Frankfurt School thinkers and remains an important forum for debate in the humanities.
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