Parasites, Viruses, and Baisetioles : Poetry as Viral Language

IF 0.3 3区 文学 0 LITERATURE
Philip Mills
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引用次数: 0

Abstract

Abstract: Austin’s (in)famous characterization of poetry as parasitical has been subject to many interpretations, from Derrida’s considering it a limit of and a central problem in Austin’s theory to Cavell’s attempt to reintegrate poetic uses of language within the framework of Ordinary Language Philosophy. In this essay, I argue that poetry, rather than being excluded from the realm of the performative, can be considered as a performative dispositif that acts upon ordinary language and, through it, upon our forms of life. To reevaluate poetry, I suggest moving from the ‘parasite’ metaphor (poetry is passively feeding on ordinary uses of language) to a ‘virus’ metaphor (poetry is actively disrupting ordinary uses of language). By building on works of French theorists and poets Christophe Hanna, Franck Leibovici, and Manuel Joseph among others, I explore how poetry reveals the virality of language.
寄生虫、病毒和寄生虫:作为病毒语言的诗歌
摘要:奥斯丁著名的“诗是寄生的”这一特征受到了许多解释,从德里达认为这是奥斯丁理论的一个限制和中心问题,到卡维尔试图在日常语言哲学的框架内重新整合语言的诗意使用。在这篇文章中,我认为诗歌,而不是被排除在表演的领域之外,可以被认为是一种表演的决定因素,它作用于日常语言,并通过它作用于我们的生活形式。为了重新评价诗歌,我建议从“寄生虫”隐喻(诗歌被动地以语言的普通用途为食)转向“病毒”隐喻(诗歌积极地破坏语言的普通用途)。通过法国理论家和诗人克里斯托夫·汉纳、弗兰克·莱博维奇和曼努埃尔·约瑟夫等人的作品,我探索诗歌如何揭示语言的病毒性。
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来源期刊
SUB-STANCE
SUB-STANCE LITERATURE-
CiteScore
0.20
自引率
0.00%
发文量
21
期刊介绍: SubStance has a long-standing reputation for publishing innovative work on literature and culture. While its main focus has been on French literature and continental theory, the journal is known for its openness to original thinking in all the discourses that interact with literature, including philosophy, natural and social sciences, and the arts. Join the discerning readers of SubStance who enjoy crossing borders and challenging limits.
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