The Use of Virtual Musical Instruments in Timbre Recognition Training

Adam Rosiński
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Abstract

The article describes research conducted on children and teenagers in Youth Palace in Olsztyn, Poland. The research was conducted for one school year in two groups: experimental and control. It relates to the practical use of virtual instruments in timbre ear training, which was applied during additional keyboard classes. The time reserved for weekly tests and teaching several timbres of musical instruments recognizing was quite short, so that each attempt took around 7 minutes. The experiment time was strictly limited due to curriculum of Keyboard classes, which required to be fully realized. In that case, experiments had to be conducted in a way, which would not affect the classes. Purposeful use of virtual instruments in teachers’ work in the context of timbre recognition, increases the effectiveness of the educational process, so that children obtain very good results in recognizing different instruments’ timbres in contrast to the control group. It should be assumed, that the certain time spent on musical instruments timbre recognizing would cause way greater skill growth of research group. Data obtained clearly indicates the importance of education conducted in this way, due to its affection on timbre consciousness shaping.
虚拟乐器在音色识别训练中的应用
这篇文章描述了在波兰奥尔什廷青年宫对儿童和青少年进行的研究。这项研究进行了一个学年,分为两组:实验组和对照组。它涉及虚拟乐器在音色耳训练中的实际使用,这是在额外的键盘课程中应用的。每周测试和教授几种乐器音色识别的时间很短,每次尝试大约需要7分钟。由于键盘课的课程设置,实验时间受到严格限制,需要充分实现。在这种情况下,实验必须以一种不影响课堂的方式进行。在音色识别的背景下,在教师的工作中有目的地使用虚拟乐器,增加了教学过程的有效性,使儿童在识别不同乐器的音色方面获得了与对照组相比非常好的效果。可以假设,在乐器音色识别上花费一定的时间会使研究小组的技能有更大的提高。所获得的数据清楚地表明,由于其对音色意识塑造的影响,以这种方式进行教育的重要性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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