Contextos mitopéicos da prosa de Mia Couto nos romances Varanda do Frangipani, O Último Voo do Flamingo e Terra Sonâmbula

Q3 Arts and Humanities
Bogdan Trocha, Wojciech Charchalis
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引用次数: 0

Abstract

This paper presents an analysis of mythopoeic elements in three novels by Mia Couto. Starting from Mircea Eliade’s definition of myth, we look for elements of the Living Cosmos with its axis mundi, centre and periphery, chaos and harmony and quest in the novels. Such structure of the analysis allows us to consider the cultural colonization and decolonization of contemporary Mozambique. We conclude that the analysis of the mythopoetic schema in Mia Couto’s novels demonstrates a crisis of cultural harmony in the contemporary Mozambican state and nation. On the other hand, however, the mythopoetic reveals a horizon of cultural and traditional models of persistence that save not only from chaos but above all from the dehumanization of society.
米娅·库托在小说《鸡蛋花的阳台》、《火烈鸟的最后一次飞行》和《梦游之地》中散文的线形背景
本文分析了米娅·库托三部小说中的神话元素。我们从米尔恰·埃利亚德对神话的定义出发,在小说中寻找具有世界轴心、中心与外围、混乱与和谐、探索的“活宇宙”的元素。这种分析结构使我们能够考虑当代莫桑比克的文化殖民化和非殖民化。本文认为,对库托小说神话图式的分析表明,当代莫桑比克国家和民族面临着文化和谐的危机。然而,另一方面,神话揭示了一种文化和传统的坚持模式的视野,这种模式不仅可以避免混乱,而且首先可以避免社会的非人化。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Studia Romanica Posnaniensia
Studia Romanica Posnaniensia Arts and Humanities-Literature and Literary Theory
CiteScore
0.10
自引率
0.00%
发文量
17
审稿时长
24 weeks
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