The Origin of Su Embroidery

Shuai Xu, Longdi Cheng, Yunying Liu, Youping Lian
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Abstract

The connotations of Su embroidery have been enriched chronically. Su embroidery was recognized as a speciality of a specific geographical site when it was first taken as an art of style. Later both the place it was produced and the style of the products affected the evaluation of the embroidery. The technique of the Su embroidery was earlier recognized than its fame known as “Su Xiu” in Chinese. The recognition of its technique resulted from man’s esthetic need and the production of the needed instruments like thread, needle, fabric and dye. Thus the system of the techniques was formed between the middle and late period of Liangzhu Culture (28-20th century BC) and the Spring and Autumn Period and the Warring States Period (557-532 BC). The development of technology, the need of the market, and the influence of culture altogether brought out the name “Su Xiu” in the Zhengde period of the Ming Dynasty (1506-1521).
苏绣的起源
苏绣的内涵不断丰富。当苏绣最初被视为一种风格艺术时,它被认为是一个特定地理位置的专业。后来,它的产地和产品的风格都影响了刺绣的评价。苏绣的技术比它的名气“苏绣”更早被人们所认识。在中国。人们对其技术的认可源于人们的审美需求和所需工具(如线、针、织物和染料)的生产。因此,在良渚文化中后期(公元前28-20世纪)和春秋战国时期(公元前557-532年)之间形成了技术体系。科技的发展、市场的需要和文化的影响共同造就了苏修这个名字。明朝正德年间(1506-1521)。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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