Notes on Contributors

Abstract

Previous article FreeNotes on ContributorsPDFPDF PLUSFull Text Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinked InRedditEmailQR Code SectionsMoreJaynie Anderson is professor emeritus at the University of Melbourne. She is former foundation director of the Australian Institute of Art History (2009–15) and Herald Chair of Fine Arts (1997–2014). In 2019 she published The Life of Giovanni Morelli in Risorgimento Italy (Officina Libraria). She has written extensively on Venetian Renaissance painting, especially Giorgione, and the history of collecting and conservation of Italian Renaissance painting in the nineteenth century.Jan Blanc is professor of early modern art history at the University of Geneva. He is a specialist in artistic theories and practices in northern Europe (Netherlands, France, Great Britain) and has recently published a volume on Dutch still life, Stilleven: Peindre les choses au XVIIe siècle (Éditions 1:1, 2020). He is preparing a forthcoming book on Rembrandt and the question of artistic originality during the seventeenth century.Edurne De Wilde is a PhD candidate at the Institute for History of Leiden University. Her dissertation, which is situated at the crossroads of intellectual history and rhetorical studies, explores the modern afterlives of Francis Bacon’s theory of the idols. She is also the managing editor of Tijdschrift voor Geschiedenis.Cristina Dondi is professor of early European book heritage and Oakeshott Senior Research Fellow in the Humanities at Lincoln College, University of Oxford. She is also secretary of the Consortium of European Research Libraries. Her research focuses on the history of printing and the book trade in fifteenth-century Europe, specifically on the reconstruction of dispersed book collections, the transmission of texts in print, and the economic and social impact of the printing revolution on European society.Kasper Risbjerg Eskildsen is associate professor of history of science and scholarship at Roskilde University. His work focuses on the history of the humanities as well as the history of higher education from the seventeenth century to the present. He is the author of Modern Historiography in the Making: The German Sense of the Past, 1700–1900 (Bloomsbury, 2022).Mercedes García-Arenal is research professor at the Spanish National Research Council and principal investigator and coordinator of the European Research Council-Synergy “EuQu” project. She is a cultural and religious historian specialized in religious minorities. Her most recent book, with Rafael Benítez Sánchez-Blanco, is The Inquisition Trial of Jeronimo de Rojas, a Morisco of Toledo (1601–1603) (Brill, 2022). Her best-known work, with Gerard Wiegers, is A Man of Three Worlds: Samuel Pallache, a Moroccan Jew between Catholic and Protestant Europe (Johns Hopkins University Press, 2007).Sergius Kodera received his doctorate in 1994. Since then, he has taught early modern and Renaissance philosophy at the Department of Philosophy of the University of Vienna. He received his Habilitation in 2004. Currently he is preparing a book-length study in English on Giambattista della Porta. His main fields of interest are the history of the body and sexuality, magic, and media in transdisciplinary perspectives.Margaret Mehl is associate professor in the Department of Cross-Cultural and Regional Studies at the University of Copenhagen. Her research interests center on the cultural and intellectual history of nineteenth- and early twentieth-century Japan, especially historiography, education, Chinese learning (kangaku), and musical culture. She is currently finishing a book provisionally titled Music and the Rise of Modern Japan: Joining the Global Concert.Julia Modes is an art and image historian at Humboldt-Universität zu Berlin. She studied in Berlin, Melbourne, and New York. Her dissertation discusses violence in the œuvre of the American artist Cy Twombly, with a focus on his series Death of Giuliano de Medici. She has published internationally on Twombly, visual violence, political iconography, and contemporary art. In 2019 she organized the exhibition festival “unselect” and curated its lead exhibition “unnatural” in Berlin.Angus Nicholls is professor of comparative literature and German at Queen Mary University of London. His book publications include Goethe’s Concept of the Daemonic (Boydell & Brewer, 2006); Thinking the Unconscious: Nineteenth-Century German Thought, coedited with Martin Liebscher (Cambridge University Press, 2010); Myth and the Human Sciences (Routledge, 2015); and Friedrich Max Müller and the Role of Philology in Victorian Thought, co-edited with John R. Davis (Routledge, 2017). He was formerly coeditor of History of the Human Sciences.Vincent Oeters studied Egyptology, archaeology, and Arabic at Leiden University. He obtained a master’s degree in Egyptology and participated in several excavations in Egypt. Since 2017, he is chairman of the Friends of Saqqara foundation. He is writing his PhD dissertation on the position of Belgian Egyptology in Western intellectual history during the first half of the twentieth century as part of the EOS project “Pyramids and Progress: Belgian Expansionism and the Making of Egyptology, 1830–1952.”Kristine Palmieri is a historian of science and knowledge in German-speaking Europe whose work spans the early modern and modern periods. Her work focuses especially on the history of philology and language studies, the history of the human sciences, and the history of scholarly practices and scientific methods. She is currently a postdoctoral researcher with the Institution on the Formation of Knowledge at the University of Chicago.Herman Paul is professor of the history of the humanities at Leiden University, where he directs the research project “Scholarly Vices: A Longue Durée History.” He is author, most recently, of Historians’ Virtues: From Antiquity to the Twenty-First Century (Cambridge University Press, 2022) and editor of Writing the History of the Humanities: Questions, Themes and Approaches (Bloomsbury, 2022).Floris Solleveld is a research fellow at the Center for the Historiography of Linguistics, KU Leuven. His PhD thesis (Radboud University Nijmegen, 2018) analyzed transformations in the humanities around 1800; as FWO Postdoctoral Fellow he studied the imperial-era “mapping” of the world’s languages and peoples. Other research interests include the Republic of Letters and the history of historiography.Jan M. van Daal is a technical art historian. He works as a PhD candidate at Utrecht University within the DURARE project, funded by the European Research Council. His dissertation focuses on intersecting ideas about durability and splendor in Western European art production between the ninth and the mid–fifteenth centuries. Generally, his research interests include (post)classical and medieval Latin, the meaning and technology of art materials, and the technical examination of artworks. Previous article DetailsFiguresReferencesCited by History of Humanities Volume 8, Number 1Spring 2023 Sponsored by the Society for the History of the Humanities Article DOIhttps://doi.org/10.1086/724109 © 2023 Society for the History of the Humanities. All rights reserved.PDF download Crossref reports no articles citing this article.