Elaboration of the Sinden Technique with Mime in the Creation of Merajut Dimensi Masa

Wiflihani Wiflihani, Frisdo Ekardo
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Abstract

Merajut Dimensi Masa is a theatrical performance that is the result of elaboration of the sinden technique with pantomime motion techniques. The researcher initiated a musical theater that uses Mime Gestures as a concept for creating acting in the work. This has implications for an actor to study acting, music, and pantomime. The concept of this show elevates the spirit of the Javanese Koeli Kontrak in North Sumatra as the main story idea and theme in Merajut Dimensi Masa. The method used in this research is a qualitative research method. In collecting data using observation techniques, documentation, in-depth interviews and followed by interactive analysis. The stages of the training that the researchers carried out revolved around body exercises, vocal exercises, singing, sinden and pantomime exercises. So that through this systematic work, the concept of singing theater was born using mime as a concept of acting in the medium of performing arts. This research also seeks to offer new ideas in dramaturgical acting to create dramatic elements through the arts of singing and pantomime.
论《梅拉朱特·维西·玛萨》创作中的默剧手法
Merajut Dimensi Masa是一种戏剧表演,是辛丹技术与哑剧动作技术相结合的结果。研究人员发起了一个音乐剧,使用Mime手势作为在作品中创造表演的概念。这对演员学习表演、音乐和哑剧有启示。这个节目的概念提升了北苏门答腊爪哇Koeli Kontrak的精神,作为Merajut Dimensi Masa的主要故事思想和主题。本研究采用的方法是定性研究方法。在收集数据时使用观察技术、文件、深度访谈以及随后的互动分析。研究人员进行的训练阶段包括身体练习、声乐练习、唱歌、唱歌和哑剧练习。因此,通过这个系统的工作,歌唱剧院的概念诞生了,用哑剧作为表演艺术媒介的表演概念。本研究也试图提供戏剧表演的新思路,通过歌唱和哑剧艺术创造戏剧元素。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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