The Toulouse salons: a regional counterweight to the Parisian art scene? (1861–1939)

IF 1.2 1区历史学 Q3 ECONOMICS

European Review of Economic History Pub Date : 2023-01-18 DOI:10.1093/ereh/heac020

Léa Saint-Raymond

引用次数: 1

Abstract

Abstract This paper analyses the functioning of the primary art market for living artists in the periphery of France, in a context where there was no secondary market nor intermediaries such as art dealers. It is based on a historical data set constituted manually, regarding the Toulouse Salons—the Union artistique de Toulouse (UAT) between 1861 and 1909, and the Société des Artistes méridionaux (SAM), between 1907 and 1939. These exhibitions, which were intended to give artists a regional alternative to the Parisian academic and dealer-critic systems, failed at emancipating the local artists from the domination of the capital.

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图卢兹沙龙:巴黎艺术界的地区平衡?(1861 - 1939)

摘要本文分析了在没有二级市场和艺术经销商等中介机构的背景下，法国边缘地区在世艺术家的一级艺术市场的功能。它是基于手工编制的图卢兹沙龙-图卢兹艺术联盟(UAT) 1861年至1909年的历史数据集，以及1907年至1939年的图卢兹艺术家协会(SAM)。这些展览的目的是为艺术家提供一个地区性的选择，以取代巴黎的学术和经销商-评论家体系，但未能将当地艺术家从首都的统治中解放出来。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

European Review of Economic History Multiple-

CiteScore

2.60

自引率

7.10%

发文量

期刊介绍： European Review of Economic History has established itself as a major outlet for high-quality research in economic history, which is accessible to readers from a variety of different backgrounds. The Review publishes articles on a wide range of topics in European, comparative and world economic history. Contributions shed new light on existing debates, raise new or previously neglected topics and provide fresh perspectives from comparative research. The Review includes full-length articles, shorter articles, notes and comments, debates, survey articles, and review articles. It also publishes notes and announcements from the European Historical Economics Society.