Pop Music Diegesis and the 360º Video

IF 1.3 3区艺术学 0 MUSIC

POPULAR MUSIC AND SOCIETY Pub Date : 2023-11-08 DOI:10.1080/03007766.2023.2272680

Zack Bresler

引用次数: 0

Abstract

One approach to studying music videos is through the framework of diegesis, which considers the relation of sounds to narrative structure in film. Unlike most visual media, music videos flip the diegetic picture as image functions to support music, allowing for new narrative interpretations. Narratological possibilities of several 360° pop music videos are examined to demonstrate pop music diegesis, which operates through navigational agency and diegetic immersion. The viewer of an immersive music video is a staged element of compositional design, implied by agency afforded through interaction and envelopment. Moreover, the essay expounds discourses on popular music in immersive media.

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流行音乐文摘和360度视频

研究音乐视频的一种方法是通过叙事的框架，考虑声音与电影叙事结构的关系。与大多数视觉媒体不同，音乐视频将叙事画面作为图像功能来支持音乐，允许新的叙事解释。研究了几个360°流行音乐视频的叙事可能性，以展示流行音乐叙事，它通过导航代理和叙事沉浸来运作。沉浸式音乐视频的观众是作曲设计的舞台元素，通过互动和包围来暗示代理。此外，本文还对沉浸式媒体中的流行音乐进行了论述。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

POPULAR MUSIC AND SOCIETY MUSIC-

CiteScore

1.10

自引率

0.00%

发文量

期刊介绍： Popular Music and Society, founded in 1971, publishes articles, book reviews, and audio reviews on popular music of any genre, time period, or geographic location. Popular Music and Society is open to all scholarly orientations toward popular music, including (but not limited to) historical, theoretical, critical, sociological, and cultural approaches. The terms "popular" and "society" are broadly defined to accommodate a wide range of articles on the subject. Recent and forthcoming Special Issue topics include: Digital Music Delivery, Cover Songs, the Music Monopoly, Jazz, and the Kinks. Popular Music and Society is published five times per year and is a peer-reviewed academic journal supported by an international editorial board.