Trumpet: Revisiting and Reimagining Thornton Wilder’s The Trumpet Shall Sound

Jill Savege Scharff
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Abstract

Abstract The Trumpet Shall Sound (1919–20) is Thornton Wilder’s first known full-length, published, and produced play. The action is straightforward: While their master is away on a prolonged journey, three servants open the house to roomers for profit, but then they live in guilt and fear of discovery. The play was awarded a college literary prize and it attracted the attention of talented director Richard Boleslavsky, but his production received mixed reviews. Wilder considered rewriting the problematic final act, but instead he moved on to Pulitzer Prize–winning literary and theatrical projects. This article revisits The Trumpet Shall Sound and shows its value as a harbinger of its author’s later genius. In structure and themes, this early allegorical work foreshadows Wilder’s mature exploration of the microcosm of the everyday connected through religious and mythic sources to the universal. The article also describes how its author followed the characters, dialogue, and symbolism and drew on input from scholars as she reimagined Wilder’s play as Trumpet, her 2020 and 2022 adaptations.
小号:重新审视和重新想象桑顿·怀尔德的《小号将会响起》
《小号应该吹响》(1919 - 1920)是桑顿·怀尔德第一部已知的长篇、出版和制作的戏剧。故事情节很简单:主人外出远行,三个仆人为了赚钱而把房子开放给房客,但他们却生活在内疚和害怕被发现的恐惧中。该剧获得了大学文学奖,并引起了天才导演理查德·博尔斯拉夫斯基的注意,但他的作品得到了褒贬不一的评价。怀尔德曾考虑重写这部有问题的最后一幕,但他转而从事普利策奖得主的文学和戏剧项目。这篇文章重新审视了《小号将会响起》,并展示了它作为作者后来天才的先兆的价值。在结构和主题上,这部早期的寓言作品预示着怀尔德对日常微观世界的成熟探索,这些微观世界通过宗教和神话来源与宇宙联系在一起。这篇文章还描述了作者如何遵循人物、对话和象征主义,并借鉴了学者们的意见,将怀尔德的戏剧重新想象成小号,这是她2020年和2022年的改编作品。
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