Women and Literature in Thornton Wilder’s The Ides of March

Paolo Simonetti
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Abstract

Abstract Although of the approximately 120 fictional documents and letters composing Wilder’s epistolary historical novel The Ides of March slightly less than half are ostensibly written by female characters, the author had to defend his work from at least one accusation of being unfair to women. The aim of this article is to investigate how Wilder gives voice to four famous women of ancient Rome—Clodia Metelli (supposedly Catullus’s model for the Lesbia addressed in his poetry); Cleopatra, the queen of Egypt; Julius Caesar’s aunt Julia Marcia; and the actress and courtesan Cytheris—by subverting traditional stereotypes and rewriting their personalities according to modern issues. Wilder’s Roman women are multilayered, ambivalent characters struggling to overcome gender stereotypes and discriminatory attitudes toward them through a strong connection with art and literature.
桑顿·怀尔德《三月十五日》中的女性与文学
虽然在怀尔德的书信体历史小说《三月十五日》中大约120个虚构的文件和信件中,表面上只有不到一半是由女性角色写的,但作者不得不为自己的作品辩护,至少有一项指控是对女性不公平的。本文的目的是研究怀尔德是如何为四位古罗马著名女性发声的——克洛迪亚·梅特利(据说是卡图卢斯在诗歌中描述的莱斯比亚的原型);埃及女王克娄巴特拉;朱利叶斯·凯撒的姨妈朱莉娅·玛西亚;以及女演员和交际花塞塞里斯——通过颠覆传统的刻板印象,根据现代问题重写她们的个性。怀尔德笔下的罗马女性是多层次的、矛盾的角色,通过与艺术和文学的紧密联系,努力克服对她们的性别刻板印象和歧视态度。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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