Changes in the representation of heroes in contemporary Ukrainian cinema

IF 0.6 4区社会学 0 HUMANITIES, MULTIDISCIPLINARY

JOURNAL OF EUROPEAN STUDIES Pub Date : 2023-11-10 DOI:10.1177/00472441231206550

Viktor A. Griza, Serhii M. Honcharuk, Volodymyr Ya. Mykhalov, Mykhailo M. Barnych, Oleksandr I. Balaban

引用次数: 0

Abstract

This article examines current trends in the changing concept of the hero in recent Ukrainian cinema and the related tendency to neglect authentic Ukrainian culture on account of the pervasive influence of Western traditions in cinema. The article employs various, academic methods of art criticism: literary and film analysis, comparison, synthesis, analogy and typologisation. Analysing several films from the period of independent Ukraine, Cyborgs: Heroes Never Die (2017, dir. Akhtem Seitablayev), Sniper. The White Raven (2022, dir. Marian Bushan) and Klondike (2022, dir. Maryna Er Gorbach), the authors show that the depiction of Ukrainian film heroes depends on contemporary local events. The contemporary hero of Ukrainian cinema emerges as an ambiguous figure.

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当代乌克兰电影中英雄形象的变化

本文考察了最近乌克兰电影中英雄概念的变化趋势，以及由于西方传统在电影中的普遍影响而忽视真实乌克兰文化的相关趋势。本文运用了各种艺术批评的学术方法:文学和电影分析、比较、综合、类比和类型学。分析了乌克兰独立时期的几部电影，《赛博格:英雄不死》(2017)导演。Akhtem Seitablayev)，狙击手。《白鸦》(2022年，导演)玛丽安·布尚)和克朗代克(2022年，导演)。Maryna Er Gorbach)，作者表明，乌克兰电影英雄的描述取决于当代当地事件。乌克兰电影中的当代英雄是一个模棱两可的人物。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

JOURNAL OF EUROPEAN STUDIES HUMANITIES, MULTIDISCIPLINARY-

CiteScore

0.40

自引率

0.00%

发文量

期刊介绍： Journal of European Studies is firmly established as one of the leading interdisciplinary humanities and cultural studies journals in universities and other academic institutions. From time to time, individual issue concentrate on particular themes. Review essays and review notices also offer a wide and informed coverage of many books that are published on European cultural themes.