ARTISTIC-EXPRESSIVE DIMENSION OF GYMNASTICS FOR ALL

Fernanda
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引用次数: 2

Abstract

true The expressive and poetic dimension of Gymnastics for All (GfA) is often recognized in choreographies performed at gymnastics festivals, emphasising its communicative and referential function. The aim of this study was to discuss the artistic-expressive dimension of GfA based on Pierre Parlebas’ theory and in the sociological notion of sportivisation. The particular and unfinished sportivisation GfA process includes the absence of institutionalised gesture codes, characterising the artistic-expressive dimension as a "potency", which therefore may or may not be part of GfA's activities, according to the decision of each group. This analysis allows us to distinguish GfA from other artistic sports, such as Rhythmic Gymnastics and Figure Skating, and from other art forms, such as dance and circus.
体操的艺术表现力维度
全民体操(GfA)的表现力和诗意维度经常在体操节表演的编舞中得到认可,强调其交流和参考功能。本研究的目的是在Pierre Parlebas的理论和体育化的社会学概念的基础上讨论GfA的艺术表现维度。特殊的和未完成的运动化GfA过程包括缺乏制度化的手势代码,将艺术表达维度描述为“效力”,因此根据每个群体的决定,这可能是GfA活动的一部分,也可能不是。这种分析使我们能够将GfA与其他艺术运动(如艺术体操和花样滑冰)以及其他艺术形式(如舞蹈和马戏)区分开来。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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