Deduction of Categories in a Definition of Art

IF 0.1 0 PHILOSOPHY
Ivan Kolev
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引用次数: 0

Abstract

In the contemporary literature, the most authoritative on the definition of art is the institutional theory that emerged as a response to the radicalizations in modern art associated with ready-made, pop art, conceptualism and other movements. In familiar versions of institutional theory, the participants in the so-called “artworld” (Arthur Danto's term) are enumerated “rhapsodically”, to use Kant's famous expression. In this context, the article is an attempt to “deduce the categories” by which art is defined, using the categorizing positions of the participants in this “artworld”. In order to justify the approach and to relate the problematic to traditional philosophical issues, a brief overview of the “doctrine of categories” (Kategorienlehre) is given.
艺术定义中的范畴推演
在当代文学中,最权威的艺术定义是制度理论,它是对现代艺术中与现成艺术、波普艺术、观念主义和其他运动相关的激进化的回应。在我们熟悉的制度理论版本中,借用康德的名言,所谓的“艺术界”(阿瑟·丹托的术语)的参与者被“狂想式地”列举出来。在此背景下,本文试图利用这个“艺术世界”中参与者的分类立场,“推断艺术定义的类别”。为了证明该方法的合理性,并将问题与传统哲学问题联系起来,本文对“范畴学说”(Kategorienlehre)进行了简要概述。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Filosofiya-Philosophy
Filosofiya-Philosophy PHILOSOPHY-
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