Healing in Antonin Artaud's Theatre

Juan Yang
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Abstract

Antonin Artaud was a distinguished French director, actor, theatre theorist and poet. Artaud's reputation in the theatre world is fundamentally due to his promotion of a series of "anti" theatre theories including, but not limited to, the "theatre of cruelty", which highlights the aesthetics of the therapeutic aspects of Artaud's theatre. The use of theatre as therapy for self-awareness and improvement of the individual's physical and mental condition is a value that has been in play since its emergence, and Artaud's influence on the development of theatre therapy is mentioned in the book Drama Therapy. It is conceivable that the healing presence of Artaud's theatre is obvious and essential. in this paper, we will take Artaud's theatre theory as the main body of discussion, and take three key words-"language, metaphysics, and cruelty" as the starting point to elaborate the healing properties of Artaud's theatre.
在安东宁·阿尔托剧院的治疗
安东尼·阿尔托是法国著名的导演、演员、戏剧理论家和诗人。亚陶在戏剧界的声誉从根本上是由于他推广了一系列“反”戏剧理论,包括但不限于“残酷戏剧”,这些理论突出了亚陶戏剧治疗方面的美学。利用戏剧作为自我意识和改善个体身心状况的治疗手段是一种自出现以来就一直在发挥作用的价值,亚陶对戏剧治疗发展的影响在《戏剧治疗》一书中有所提及。可想而知,亚陶戏剧的疗愈存在是显而易见和必不可少的。本文将以亚陶的戏剧理论为讨论主体,以“语言、形而上学、残酷”三个关键词为出发点,阐述亚陶戏剧的治愈性。
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