A Musical Portrait of Russia in a Dialogue of Cultures. A Review of the Book: Music from Abroad about Russia (Musical Rossica): Collective Monograph

Natalya R. Saenko
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Abstract

The review is devoted to the collective monograph Zarubezhnaya muzyka o Rossii (muzykal'naya rossika) [Music from Abroad about Russia (Musical Rossica)] (St. Petersburg: Soyuz khudozhnikov, 2023. 324 p. ISBN 978-5-8128-0367-4), the editor-compiler, as well as one of the authors of which was Dr.Sci. (Arts), Professor, Head of the Laboratory of Music Content of the Astrakhan Conservatory Liudmila Pavlovna Kazantseva. This research work is the result of the combined efforts of the representatives of Kazantseva’s academic school, as well as her colleagues from Russia and other countries, namely, musicologists from Astrakhan, Volgograd, Krasnodar, Petrozavodsk, Rostov-on-Don, St. Petersburg, as well as Northern Ireland, the People’s Republic of China, the Republic of Belarus, and Ukraine. In this devoted work, the place and the role of the Russian musical heritage in world artistic practice is explored deeply and impartially, and the grounds for global dialogue as the highest value are revealed. This peer-reviewed monographic publication, endowed with a powerful cultural potential, is perceived to be a significant event in the sphere of Russian musical scholarship.
文化对话中的俄罗斯音乐肖像。书评:《来自国外的关于俄罗斯的音乐》(俄罗斯音乐):集体专著
这篇评论是关于集体专著Zarubezhnaya muzyka o Rossii (muzykal'naya rossika)[来自国外的音乐关于俄罗斯(音乐俄罗斯)](圣彼得堡:Soyuz khudozhnikov, 2023)。324 p. ISBN 978-5-8128-0367-4),编辑和编译者,以及其中的作者之一是sci博士。(艺术)教授,阿斯特拉罕音乐学院音乐内容实验室主任柳德米拉·帕夫洛夫娜·卡赞采娃。这项研究工作是卡赞采娃学术学派的代表以及她在俄罗斯和其他国家的同事,即来自阿斯特拉罕、伏尔加格勒、克拉斯诺达尔、彼得罗扎沃茨克、顿河畔罗斯托夫、圣彼得堡以及北爱尔兰、中华人民共和国、白俄罗斯共和国和乌克兰的音乐学家共同努力的结果。在这部奉献的作品中,深入而公正地探讨了俄罗斯音乐遗产在世界艺术实践中的地位和作用,并揭示了作为最高价值的全球对话的基础。这本经过同行评审的专著出版物,具有强大的文化潜力,被认为是俄罗斯音乐学术领域的重大事件。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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