Rehabilitation of Baricco's and Japrisot's heroes in the light of modern criticism

Ljiljana Petrović
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Abstract

The paper observes the attempt to morally rehabilitate the soldiers executed in the First World War, which takes place on a literary level in the novels Questa storia (This Story) by Alessandro Baricco and Un long dimanche de fiançailles (A Very Long Engagement) by Sébastien Japrisot. The soldiers were punished twice: by taking their lives and by being stigmatized in the memory. A detailed analysis, relying on the theoretical propositions of Michel Foucault and René Girard, leads to the conclusion that the truth is exactly the opposite of what seems evident from the legal side. Through the prism of such a new and different view, the culprit and the victim change places; it is the state that represents the violent/punitive apparatus whose main motive of action is to acquire or maintain control and power, while the executed individuals are only its victims.
从现代批评的角度对巴里科和日本的英雄人物进行复辟
本文通过亚历山德罗·巴里科(Alessandro Baricco)的小说《这个故事》(Questa Story)和ssambastien Japrisot的小说《漫长的交战》(Un long dimanche de fianailles),观察了在第一次世界大战中被处决的士兵在道德上的康复尝试。士兵们受到了两次惩罚:一次是自杀,另一次是在记忆中被污名化。根据福柯(Michel Foucault)和雷诺•吉拉德(ren Girard)的理论命题进行详细分析,可以得出这样的结论:真相与从法律角度看来显而易见的东西恰恰相反。透过这样一个全新的、不同的视角,罪犯和受害者互换了位置;正是国家代表了暴力/惩罚机器,其主要行动动机是获得或维持控制和权力,而被处决的个人只是其受害者。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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