The Stretchy Strap: supporting encumbered interaction with guitars

IF 1.1 4区 计算机科学 Q4 COMPUTER SCIENCE, INTERDISCIPLINARY APPLICATIONS
Juan Martinez Avila, Adrian Hazzard, Chris Greenhalgh, Steve Benford, Andrew McPherson
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引用次数: 0

Abstract

Guitarists struggle to play their instruments while simultaneously using additional computing devices (i.e., encumbered interaction). We explored designs with guitarists through co-design and somaesthetic design workshops, learning that they (unsurprisingly) preferred to focus on playing their guitars and keeping their instruments’ material integrity intact. Subsequently, we devised an interactive guitar strap controller, which guitarists found promising for tackling encumbered interaction during instrumental transcription, learning and practice. Our design process highlights three strategies: considering postural interaction, applying somaesthetic design to interactive music technology development, and augmenting guitar accessories.
弹性带:支持妨碍互动与吉他
吉他手努力演奏他们的乐器,同时使用额外的计算设备(即,阻碍交互)。我们通过共同设计和躯体美学设计研讨会与吉他手一起探索设计,了解到他们(不出所料)更喜欢专注于演奏吉他,并保持乐器的材料完整性。随后,我们设计了一个交互式吉他带控制器,吉他手发现有希望在乐器转录,学习和实践中解决阻碍的交互。我们的设计过程突出了三个策略:考虑姿势互动,将身体美学设计应用于互动音乐技术的开发,以及增加吉他配件。
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来源期刊
Journal of New Music Research
Journal of New Music Research 工程技术-计算机:跨学科应用
CiteScore
3.20
自引率
0.00%
发文量
5
审稿时长
>12 weeks
期刊介绍: The Journal of New Music Research (JNMR) publishes material which increases our understanding of music and musical processes by systematic, scientific and technological means. Research published in the journal is innovative, empirically grounded and often, but not exclusively, uses quantitative methods. Articles are both musically relevant and scientifically rigorous, giving full technical details. No bounds are placed on the music or musical behaviours at issue: popular music, music of diverse cultures and the canon of western classical music are all within the Journal’s scope. Articles deal with theory, analysis, composition, performance, uses of music, instruments and other music technologies. The Journal was founded in 1972 with the original title Interface to reflect its interdisciplinary nature, drawing on musicology (including music theory), computer science, psychology, acoustics, philosophy, and other disciplines.
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