A Move Toward the Indigenous Development of Western Art History in Korea

Hanho Jeon, Jieun Rhee
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Abstract

This paper explores trends and key issues in Korea’s academic field of Western art history from 2021 to 2022. The analysis focuses on master’s theses, dissertations, papers in art history-related academic journals and conferences. Modern art continued to dominate with a 26:78 ratio compared to pre-modern art. Although classical, medieval, and early modern art had fewer scholars and papers, an influx of pre-modern era scholars over the past decade has increased research activity. Recent trends move away from traditional enumeration of art historical findings to embrace interdisciplinary studies.BR Increased awareness of climate change, the pandemic’s impact, and global environmental issues has led to reflection on anthropocentric thinking and the emergence of ‘anthropocene’ discourse in Western modern art studies. Advancements in digital technology, cyborgs, AI, and the metaverse are influencing Western modern art research. Korean modern art research is integrating Western art history methodologies, notably through collaborative symposia in 2021-2022.BR Historically, there has been a self-deprecating view that downplays the role of Western art history in Korea as only for “internal consumption.” This dichotomy between west/center and east/periphery is detrimental to the future development of Western art history in non-Western countries. We hope this ‘retrospective and forward-looking’ provides perspective.
走向韩国西方艺术史的本土发展
本文探讨了2021 - 2022年韩国西方艺术史学术领域的趋势和关键问题。分析的重点是硕士论文、学位论文、艺术史相关学术期刊和会议上的论文。与前现代艺术相比,现代艺术以26:8 8的比例继续占据主导地位。虽然古典、中世纪和早期现代艺术的学者和论文较少,但在过去十年中,前现代时期学者的涌入增加了研究活动。最近的趋势是从传统的列举艺术史发现转向跨学科研究。BR对气候变化、流感大流行的影响和全球环境问题认识的提高,导致了对人类中心思想的反思,并在西方现代艺术研究中出现了“人类世”话语。数字技术、电子人、人工智能和虚拟世界的进步正在影响西方现代艺术研究。韩国现代艺术研究正在整合西方艺术史的方法,特别是通过2021-2022年的合作研讨会。BR历史上有一种自嘲的观点,认为西方艺术史在韩国的作用只是“内部消费”。这种西方/中心与东方/边缘的二分法不利于西方艺术史在非西方国家的未来发展。我们希望这篇“回顾与展望”的文章能提供一些视角。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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